Norm
MalArtists, Curators and The Public - part ii
That the public are increasingly under the pretence that artists are themselves newsworthy almost issues artist to publicly gag. The public, under their increasing pretence of knowing, are, to artists, the cost of the artists’ careers: their careers cost art.
The artists’ public gags, attracting the attention of challenging curators, are almost their careers. The artists’ perceptions career to the curators’ pretence. Under the pretence of art, the public, issues themselves, turn to gag artists. Artists gag at their careers.
The curators cost the artists their perceptions under the pretence of their careers turning increasingly public. Artists are artists. Knowing that, curators depend on their careers to attract attention at the cost of social commentaries. The issues are mostly curators.
The commentaries, under the pretence of art, are public perceptions of pretence. The public are a pretence the curators depend on. Pretence is an artist’s career. Knowingly, the curators are increasingly turning to art for careers. Artists are increasingly turning.
Knowingly, and turning visual, the curators are increasingly knowing and turning to the public to cost their ‘art’. Most curators are public artists to themselves, at increasing cost. Public artists are artists attracting public curators at the public’s cost, increasingly.
The artists’ public gags, attracting the attention of challenging curators, are almost their careers. The artists’ perceptions career to the curators’ pretence. Under the pretence of art, the public, issues themselves, turn to gag artists. Artists gag at their careers.
The curators cost the artists their perceptions under the pretence of their careers turning increasingly public. Artists are artists. Knowing that, curators depend on their careers to attract attention at the cost of social commentaries. The issues are mostly curators.
The commentaries, under the pretence of art, are public perceptions of pretence. The public are a pretence the curators depend on. Pretence is an artist’s career. Knowingly, the curators are increasingly turning to art for careers. Artists are increasingly turning.
Knowingly, and turning visual, the curators are increasingly knowing and turning to the public to cost their ‘art’. Most curators are public artists to themselves, at increasing cost. Public artists are artists attracting public curators at the public’s cost, increasingly.
